Dark clouds glower above, high waves are lashing the boat, the wind has already torn the mainsail in half. The artwork demonstrates Rembrandt’s mastery of chiaroscuro, with the dark, rolling clouds overshadowing the … Have you still no faith?’ And they were filled with great awe and said to one another, ‘Who then is this, that even the wind and the sea obey him?’”The painting depicts the scene, with an angry, swirling sea threatening to overthrow the boat that contains Christ and his disciples. Oil on canvas, 160 x 128 cm (63 x 50 3/8 in.) It was in this bustling metropolis where Rembrandt met his wife Saskia, whose family connections opened up a world of new connections.

Rembrandt van Rijn's "Christ In The Storm On The Sea Of Galilee," painted in 1633. We can actually see — almost touch — the vigorous brushing. The left side is illuminated by a beam of light, showing viewers the disciples frantically trying to control the boat. One of them is staring out directly at us, holding onto his cap with one hand and onto a rope with the other. The artworks were stolen in the early hours of the morning by two men posing as police officers. Collection of Jacob Jacobsz Hinloopen (1644-1705), a burgomaster and sheriff, Amsterdam by 1705. Some of them are working to hold the boat together. When they were let into the museum, they convinced the security guard on duty there was a warrant out for his arrest.
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The Storm on the Sea of Galilee depicts the time when the disciples were terrified of the violent storm and are perplexed about their actions. Although an alarm went off when the thieves reached the museum’s Dutch Room, they quickly smashed it and continued with the robbery. With careful observation we can make out, in the midst of all this tumult, Jesus himself waking up from his nap and not the least bit worried. Storm on the Sea of Galilee (1633) The painting depicts the scene, with an angry, swirling sea threatening to overthrow the boat that contains Christ and his disciples. Another religious allegory can be seen in the mast of the ship, which takes the form of a cross.

The Storm on the Sea of Galilee is a painting from 1633 by the Dutch Golden Age painter Rembrandt van Rijn that was in the Isabella Stewart Gardner Museum of Boston, Massachusetts, United States, prior to being stolen in 1990. Rembrandt continued to suffer financial difficulties, eventually selling his possessions, his house and his printing press. The canvas is just over 5 feet high and more than 4 feet wide — the effect is overwhelming. A second security guard arrived at the scene and was promptly handcuffed; at this point, the two men admitted they were not police officers and that their intention was to rob the museum. WBUR 25,856 views. The beam of light signifies hope, and indeed could suggest Jesus’s divine intervention. They suffered considerable financial distress after purchasing a large home, and were devastated by the deaths of their three children during their infancy.

Possibly in the collection of Tymen Jacobsz Hinloopen (1572-1637), Amsterdam by 1644.


Instead of calm stability, this is one of Rembrandt’s most dramatic and dynamic images.

He also became adept at depicting historical and religious scenes, stating “Painting is the grandchild of nature.

We are at the height of a violent storm.

Rembrandt enjoyed the newfound fame and luxury his reputation brought him, but he and Saskia’s life would soon be plagued with troubles.

Sadly, the artwork remains missing after it was stolen from the Isabella Stewart Gardner Museum in 1990. )"The Gardner Museum's security director Anthony Amore describes this painting and what it means to him to have lost it: (Courtesy Isabella Stewart Gardner Museum) The painting shows the passage narrated in the Bible in which disciples are terrified in the face of a storm, and Jesus Christ calms its down - and then teaches the disciples the importance of faith.

Christ in the Storm on the Sea of Galilee is just one of the many biblical scenes produced by Rembrandt.

Rembrandt later entered into a relationship with his maid Hendrickje Stoffels, with whom he had two children. The Storm on the Sea of Galilee analysis. 'The Storm On The Sea Of Galilee' By Rembrandt van Rijn - Duration: 1:58. I’m not sure which disciple this is, but it’s Rembrandt’s face — the same face as in the also stolen “Self-Portrait,” a postage-stamp-size etching from the same period. 1:58. The artwork demonstrates Rembrandt’s mastery of chiaroscuro, with the dark, rolling clouds overshadowing the right side of the piece. A fierce wave is shown lifting the boat and it is about to engulf the boat into the sea. “Oh, ye of little faith.”As opposed to the portrait of the couple, where every detail has been created by tiny, almost invisible brushstrokes, the brushstrokes here are wild, broad, windswept splashes across the canvas. Some of them are in a state of panic. On March 18, 1990, thirteen artworks were stolen, with a combined worth of $500 million.

It is a chaotic scene, enhanced by the contrasting light and shadows. We almost can’t tell the waves from the rocks against which the small vessel seems about to founder.Jesus and his disciples are in the boat.

The frames still hang empty in the museum. (as a painting of St. Peter's ship) Collection of Jacques Specx (1588/89-1652), a Governor General of the East Indies, Amsterdam by 1653.

Saskia died of tuberculosis in 1642, after giving birth to their son Titus, their only child to survive into adulthood. They attempted to take Rembrandt’s Self-Portrait, but they found it too heavy and so left the painting on the floor. Be still!’ Then the wind ceased, and there was a dead calm. One is leaning over the side of the boat, about to vomit.